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The Gerald Warner Taiwan Image Collection
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75
item(s) for:
"300 Adornment"
Image:
Title:
Subject:
Description:
1.
[wa0002] [Tsou tooth removal]
300 Adornment; 304 Body Alterations; 280 Leather, Textiles, and Fabrics; 281 Work in Skins
Tsou adult males; two are standing and removing tooth from squatting male. Men are wearing trademark skin caps. Segawa and Yuasa write: ""At the age of fifteen to twenty, the Tsou extract some of their teeth....They extract the upper eye teeth and the incisors, four in total. This is for beautification and to attract the opposite sex. The pulled teeth are put under the bed for longevity"" (Yuasa 2000, p. 39). Tsou men are usually pictured in one of a variety of types of leather headgear with chin straps, some with feathers attached [wa0056] [wa0327], intricate embroidery [wa0054], with leather tails [wa0021], with bear fur [wa0149] or with back-flaps (shown here). Segawa and Yuasa write: ""leather headgear is made from the tanned skin of the bardking deer (ta'cu, Muntiacus reevesic micrurus). It is put on for celebration, or to symbolize a chief. Unmarried men are not allowed to put on l
2.
[wa0003] [Four Orchid Island women]
340 Structures; 300 Adornment; 290 Clothing; 301 Ornament; 342 Dwellings; 302 Toilet
Four women, two standing and two seated under a thatched roof on pavement of round stones. The skirts in this photo are similar to the classic form described by Chen Ch-lu as being ""made by sewing together three pieces of ramie cloth each 16-17 cm. wide. At both ends there are usually three blue stripes running lengthwise. The cloth is wound around the waist and held by a tightly-tied string. This skirt is worn from the age of five or six onwards....The older generation [Chen wrote in the 1960s] usually wears only a skirt; but the younger generation, probably because of foreign influence, may put on a breast covering"" (Chen 1968, p. 172). See images [wa0318] and [wa0323] for approximate color of these garments. The caption in Riban no tomo [trans.]: ""The young Yami women of Orchid Island; wives [by contrast] are never far from their husband's side.""
3.
[wa0006] [Female coiffure, Fujianese (Hoklo)]
300 Adornment; 302 Toilet
Two women wearing black silk upper garments. A similar photograph in the 1930 Atlas of Imperial Japan describes the hairnet as a characteristic of Fujianese women, distinguishing them from women from Guangdong, who were largely Hakka (Kejia). (Nihon chiri taikei 1930, p. 320).
4.
[wa0019] [Paiwan man flanked by four women]
300 Adornment; 290 Clothing; 292 Special Garments; 301Ornament; 560 Social Stratification; 565 Classes
Paiwan man and four women in official attire and headwear in Pingdong County.
5.
[wa0024] [Paiwan man and woman in front of house]
530 Arts; 5311 Visual Arts; 340 Structures; 300 Adornment; 290 Clothing; 292 Special Garments; 301 Ornament; 342 Dwellings; 560 Social Stratification; 565 Classes
Paiwan man and woman in elaborate attire, including head-dresses and leopard skins, with trademark Paiwan slate roof, snake-and-human decorated lintel work, and upright carved-slate statue. These decorations indicate the home of hereditary elites in Paiwan society. This same image, colorized, but with the Japanese caption cropped off, was still being reproduced and sold in Taiwan as late as December, 2007, under the imprint: ""[原味台湾] Aboriginal Peoples of Taiwan"". The back matter on these reproductions is trilingual: ""盛装的排湾族男女/盛装のパイワン族男女/Paiwan couple in full dress.""
6.
[wa0031] [Burning incense at Baoan Gong]
340 Structures; 300 Adornment; 302 Toilet; 346 Religious and Educational Structures; 780 Religious Practices; 788 Ritual
A woman stands just outside of Baoan Gong 保安宮 temple in Taipei, behind a large tripod-shaped incense burner. The burner was made in 1918. The Baoan Gong was built in 1765, and is reportedly one of Taiwan's oldest temples (Storey 2001, p. 124). The woman in the photo is wearing a ""moga"" (modern girl) hairstyle, a symbol of youthful rebellion, cosmopolitanism, and fashion-sense in urban 1920s East Asia.
7.
[wa0041] [Paiwan forearm tattoos]
560 Social Stratification; 565 Class; 300 Adornment; 304 Body Alterations; 301 Ornament
Waist-belts, necklace, bracelets and tattoos of Paiwan males. H. Suzuki comments that these tattoos are marks of princely descent (H. Suzuki 1935, p. 65).
8.
[wa0045] [Saisiat head-dress and granary]
300 Adornment; 250 Food Processing; 301 Ornament; 251 Preservation and Storage of Food
Saisiat man in front of a granary wearing a large ceremonial head-dress.
9.
[wa0046] [Pingdong woman in regalia]
300 Adornment; 290 Clothing; 292 Special Garments; 301 Ornament
Young Paiwan woman in richly embroidered dress with necklaces and elaborate head-dress. Pingdong County.
10.
[wa0047] [Three Paiwan musicians]
530 Arts; 300 Adornment; 534 Musical Instruments; 290 Clothing; 301 Ornament
Seated Paiwan males playing Jew's harps and a nose flute in richly ornamented clothing and head-dresses.Riban no tomo places the scene in Fengshan 鳳山.
11.
[wa0051] [Paiwan youths in front of a skull shelf]
780 Religious Practices; 300 Adornment; 290 Clothing; 301 Ornament
Paiwan youths, male and female, pose in front of a clothes line and planked building. A small skull shelf is visible in the background.
12.
[wa0052] [Saisiat head-dress]
790 Ecclesiastical Organization; 796 Organized Ceremonial; 300 Adornment; 290 Clothing; 301 Ornament; 292 Special Garments
Five Saisiat men facing away from the camera; one is wearing large head-dress. Using 100s of strips of paper, these head-dresses are used for a changing-of-the year grand festival. The location is Garawan village in Taizhong (Suzuki 1935, p.31).
13.
[wa0054] [Tsou elder in traditional dress]
290 Clothing; 280 Leather, Textiles, and Fabrics; 286 Woven Fabrics; 300 Adornment
Hong identifies this photo as a ""Tsou elder in traditional hat and clothing (Hong 1993, p. 291).
14.
[wa0055] [Bunun man facing camera]
290 Clothing; 300 Adornment
Bunun man facing the camera. Kanetowan village, Taizhong prefecture. Yao Tsun Hsiung has written that ""the aboriginal tribes of Taiwan were often used by the Japanese in propaganda images to underscore Taiwan's distinctive features and publicize their success in gaining control over the aboriginal population. The aboriginal images commonly used in contemporary propaganda materials included aboriginal figures, lifestyles, everyday artifacts, decorative items and patterns, and the characteristic plants and animals of mountainous Aboriginal areas. Apart from painted and drawn images, photographs were frequently used in the expression of Aboriginal themes. The original Japanese expeditions to aboriginal areas found that the camera was the best and most accurate tool for the recording the lives of the aborigines. Photographs of human figures were therefore commonly used to express aboriginal
15.
[wa0056] [Drinking from bamboo cups]
622 Community Heads; 410 Tools and Appliances; 270 Drink and Drugs; 273 Alcoholic Beverages; 290 Clothing; 300 Adornment; 415 Utensils; 280 Leather, Textiles, and Fabrics; 281 Work in Skins
This photo can be found in Yuasa Hiroshi's publication of Segawa Kokichi's field notes and photographs. If Segawa himself took the photo, which is almost certain, then it was shot between 1929 and 1935, when it appeared in H. Suzuki's _Taiwan bankai no tenbo_. Segawa referred to the seated man with the head-dress as the ""chief"" of Tapangu village (Suzuki: Tappan) in Tsuo territory. The beverage is called 'moromi' (H. Suzuki). Yuasa and Segawa's description of Tsuo fermented beverages and their consumption is meticulous. They write: ""The Tsou people enjoy wine and [tobacco]. Both men and women, as long as they are above the age of fourteen or fifteen, drink wine, and at celebrations enjoy drinking until they are quite intoxicated. They brew their own wine, including millet wine (emi no ton'u), rice wine (emi no pai), and sorghum wine (emi no batayu, kaoliang wine in Chinese). A method
16.
[wa0057] [Men and women in front of a barbed-wire fence]
410 Tools and Appliances; 290 Clothing; 411 Weapons; 300 Adornment
Two Bunun men with machetes, or the well-known 蕃刀 ""Aborigine sword"" and two women pose in front of a barbed-wire fence. The man in the center of the photo is holding dear antlers. He and the crouching woman are pictured in image [0325], on a colorized postcard.
17.
[wa0058] [Pingdong County headman]
620 Community; 410 Tools and Appliances; 622 Community Heads; 411 Weapons; 290 Clothing; 300 Adornment
According to note scrawled on the back, the man pictured in this photograph was the ""headman"" of Manuru village in Pingdong County. His name is not given. This same colorized image, with the Japanese caption cropped off, was still being reproduced and sold in Taiwan as late as 2007, under the imprint: ""[原味台湾] Aboriginal Peoples of Taiwan"". The back matter on these reproductions is trilingual: ""武装的批湾族勇士/武装のパイワン族勇士/Armed Paiwan Warrior.""
18.
[wa0059] [Neiwen village]
640 State; 648 International Relations; 620 Community; 629 Inter-ethnic Relations; 300 Adornment
Elder, men, and boy with flags. The flag says Neiwen village is pacified and its inhabitants are good subjects"" 内文社 帰化 良民. Neiwen was in Gaoxiong prefecture, Chaozhou county 潮州郡 under Japanese rule in the 1930s. These flags may be remnants of the Japanese 1874 expedition to Taiwan. At the time, Japanese troops distributed flags to allies to separate them from villages marked for punitive attacks. According to H. Suzuki, the flags signify surrender during the Qing dynasty, but it is not clear to whom the Neiwen residents surrendered; both standing men are considered ""men of great influence in southern Taiwan"" (H. Suzuki, p. 83).
19.
[wa0060] [Pingdong men drinking together]
290 Clothing; 410 Tools and Appliances; 270 Drink and Drugs; 273 Alcoholic Beverages; 574 Visiting and Hospitality; 415 Utensils; 300 Adornment; 570 Interpersonal Relations
Another of several photographs of Aborigine men sharing wine. The back of this photo locates its subjects in Pingdong County, Manuru Village. The man on the right appears to be the ""headman"" identified in image [wa0058]. For a detailed discussion of Aborigine wine manufacture and consumption, based on fieldwork among the Tsou, see [wa0056].
20.
[wa0061] [Smoking a cigar]
270 Drink and Drugs; 290 Clothing; 277 Tobacco Industry; 300 Adornment
According to Suzuki (1935) an Ami from Hualian district, Liluo village (p.96).
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